Travel and Scenic Photography

Travel and Scenic Photography 101

When you’re driving through the mountains somewhere, and you notice a car parked half off the road and some guy leaning to the left to avoid a branch with his Rebel 2000 camera in the act of focusing, you’ve met me. I do this because, to me, a trip isn’t fulfilling unless I’ve preserved that beauty for posterity. I’d like to share some of the techniques that make scenic photography such a wonderful artform - simple, yet elegant.

First off, equipment. As much as the cheapo disposable camera beckons, get real. These cameras have fisheye lenses which I call “spam” lenses. They cram everything in, with equal blurriness and boringness. Good photos are sharp, unless you use blur for artistic effect. Sharp comes from an adjustable lens. It can be a fixed lens or a zoom, but it must focus specially for each picture. Fixed lenses are limiting for scenic pictures, where to frame the shot you may need to move long distances. Imagine using a fixed lens on the Washington Monument, when you’re half a block away! Zooms get my vote, even though they often don’t have as wide an aperture, which limits their capabilities in low light situations.

Practically speaking, an SLR is the absolute best. They are lightweight, and can be used with top quality lenses. Film SLRs tend to be less expensive, but have the limitations of film, meaning you have to get it developed and so forth. Digital SLRs are VERY expensive, so for the budget conscious either go with a film SLR or a high quality basic digital camera. With digital, resolution is also a critical factor, so look at the specs before you buy.

OK, we’ve got the camera, emotions are running high, and that’s great, but not too great! Sometimes I find a spot that is so wonderful, I start shooting like a madman, only to be disappointed by the pictures. What happened? Emotions. When you experience a place, there are sounds, aromas and breezes as well as the visuals of the spot. Needless to say, you can’t photograph all of these elements, only the visual. When overwhelmed by the spectacle of a scenic hotspot, we are often overwhelmed by all of these elements.

So what to do? Look through your camera. The viewfinder does not lie (usually). Try to see what you are looking at as the finished picture. Most people perfunctorily take pictures, hoping that somehow the shot will come out great. If you wonder how the pictures came out when you are on the way to the drug store to get them, you’re doing something wrong. At the moment you click the pic, you should know exactly what you will get. (Of course with digital, that’s not a trick!).

Now, I was a tad dishonest in saying that you can’t capture all of the elements of a scene. You can hint at them. For starters, motion. Yes, even in a still picture, there is motion. Something happened before, during and after your picture. In a mountain vista scene, you may find something that hints at motion, whether it be a branch of a tree that has been swaying in the breeze, or a river flowing through the valley below. These add a sense of motion.

Then there’s the “rule of thirds.” When you place the main object of the picture smack-dab in the middle, it is static and boring. Place it one third of the way from either side, and you IMPLY motion. Put the horizon in a landscape photo a third of the way up or down, not across the middle.

Remember, when a person looks at a picture, their eyes move. You want to frame your photo to help that movement. If you can find some lines in the scene, such as a skyline, cloud formation, path through the forest, etcetera, use it interestingly, and with the rule of thirds to draw your viewer’s eyes into the picture.

Avoid “summit syndrome.” You get to the top of Mount Washington and shoot the majestic vista. Great. The pictures come out … boring! How? No PERSPECTIVE. Big vistas will be flat unless you have an object in the foreground, such as a rock or a tree, to give them perspective. Then the eye really grasps how big this scene is. People enjoying the view is a real winner, because the viewer may identify with their emotions, giving the image real impact.

Cheese! Yes, you do have to take the family photos. It’s obligatory. But when you do, make sure that they show the LOCATION of the photo. Otherwise, you might as well do it on your driveway. Frame the scene in context, with landmarks as part of the picture. Find a way to tell as story in the picture, such as little Sara climbing up the rocks by the waterfall.

Finally, any element in the picture that hints at more senses than just the visual will make it remarkable. Actor headshots for example, tell a story about the subject. You can almost hear them saying their next lines. If you photograph a garden, the viewer may experience the aroma of the flowers. A tourist street with an accordion player on the corner may have your amazed friends whistling “Dixie.”

In summation, picture taking on travel is recording the experience in a satisfying way. Use motion, perspective, sensory, storytelling and so forth, to bring your photos to life. Oh, and needless to say, make your job easy and go to great places! See you at the overlook!

Seth Lutnick is a photographer, composer, and performer. He has taken thousands of scenic photos, recorded two albums of original music, and appeared on stage, TV and film. Visit his website - www.getitdone.biz - for more detailed plans on photography, music, health and education, and extensive product links for the resources to fulfill your goals.

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Used Price: $250.00
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Let me start off by saying that I purchased this camera with one thing in mind, snorkeling. Having said that i have gone on numerous snorkeling trips and fishing trips with this camera. I am stationed in the military on the remote island of Guam and believe me when I say that it rains… a lot! Having a waterproof camera and not having to worry about covering it up or stowing it away at the sight of rain clouds, is in itself fantastic. Not only does it take incedible underwater shots (I mainly use the camera in underwater wide mode, since I am mainly at the top of the water) but it also takes pretty good outdoor and low lighting shots as well. The only function that I have an issue with is the nightime scenery shot, for some reason the picture never comes out right. But, it is a small price to pay for a picture taking tank in my pocket. If you are on the fence about purchasing this camera, just remember, it is virtually indestructable! I have banged it on numerous amounts of coral and limestone and she’s still truckin. In my opinion the best camera I have owned under $500 dollars hands down. I am curently working on my open water PADI SCUBA class and will be buying the underwater housing for this camera in the near future.
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I got this for my birthday. It was my first digital camera and I forgot to take it out of my pocket before I did the laundrey. 1 Wash and spin cycle, the camera still works perfect. I has been fishing several times and survived all the rain storms and dropping on the floor without a hitch. Takes excellent pictures and so-so video. It is a must if you want to take pictures when you’re wet or banging around on trails and rocks.
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The Z812-IS is part of the Kodak EasyShare System, so to share your pictures, just press Share. The elegant design of the Z812-IS provides a more enjoyable viewing experience of your picture, on a 2.5″ color display. Turn your pictures into 46″ (1015cm) announcements, invitations, holiday cards, and more with English, French, and German photo card templates. A high speed digital processor chip, advanced algorithms, and hardware acceleration features let the Z812 IS make simultaneous, split-second decisions to produce rich, vibrant, true-to-life colors in almost any lighting situation. Every time you click the shutter, the Kodak Color Science Chip performs an instantaneous and advanced analysis of collected scene data to identify and adjust multiple factors that influence picture quality. Scene light source is detected and adjustments are made to capture bright whites and true, vivid colors. High ISO mode - ISO 3200 available at 2.2 MP and less in PASM modes Exclusive Kodak Color Science Image Processing Chip View pictures with brilliance and clarity on the high resolution indoor/outdoor 2.5 (6.4 cm) color display or the high resolution electronic viewfinder (EVF) Panorama stitch mode - Combine up to three shots together into one large picture Smart scene mode - Capture stunning shots with ease, automatically selects the best mode Manual Scene Modes - Portrait, Landscape, Bright, Action, Close-up, Text/Documents and Manner/Museum mode 5 color modes - High color, Low color, Natural color, Sepia, Black and white
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Great camera, high quality pix, very functional, just HD video is not the way you think and very primitive.
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