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Plasmas provide sharper images and more vibrant colors. You can display both HDTV and DTV signals as well as computer signals such as XGA, SVGA, and VGA.

Plasmas Superior to Both CRT’s and LCD

Plasma screen televisions provide sharp, clear pictures, plus no image distortion. CRTs can’t match this. Plasma tvs have brighter pictures and provide a better viewing angle at 160 degrees, than LCDs. For the best technology in display panels, choose plasma technology.

High Resolution

Plasma display televisions have higher resolution than most standard TV sets. They are able to display full HDTV and DTV signals as well as XGA, SVGA, and VGA signals from a computer. If a plasma has a resolution of 1024×1024 it can display images from 1080i and 720i HDTV resolution, plus 480i and 480p HD signals.

Flat Screen

Plasma display televisions have screens that are completely flat. There is no distortion of the image even at the edges and corners. Plus to increase your viewing fun, the flat plasma screen tv provides an amazing 160-degree viewing area.

Ultra Thin Design Saves Space

Plasma televisions can hang on almost any wall. You can even hang them from your ceiling. Other advantages of plasma screen tvs are high ambient light tolerance, distortion free images, entirely digital techology, not affected by magnetism, and can be attached to a ceiling or wall, or used as a freestanding fixture.

Wrong! This brings us to the idea of Satellite TV which i’m sure you know about through the dishes you see at your neighbour’s house or while your driving to the mall. Dishes have just about come up everywhere. Yesterday i was in a remote town where it’s difficult to locate a store unless you drive 20 miles into the city. However, i was surprised to see a satellite dish. They are just everywhere.

So why do you need a satellite dish?

Often we get bored with the same programmes that are offered to us as viewers through TV. When your watching tv and you want to see something new, you find out that you’ve seen it already. The re-runs on all shows has gotten so boring that we want something new. This is where satellite tv comes into play.

What will satellite tv bring to me that i dont have already?

The question you want to ask really is what doesn’t satellite tv have. TV gets boring after a while, we all know that. But often we like to relax and watch a good movie or something interesting. Thats why you need satellite TV. Having satellite TV installed in your home will mean that you can watch channels covering movies, sport, documentaries, adult and everything else you can name. Not only will you be able to watch channels in every language but you will be able to watch channels from every country in the world.

Find out more … http://www.installyoursat.com

Flash forward and we are upon the reverse engineered UFO goodies. Oh, wait, no, that’s not exactly right.

It’s the dawning of the age of Aquarius, age of Aquarius, Ah QUAR EEEE USSS. Um, no, that was some time ago.

It’s the age of $3 US Gas. Not a good milestone

The age of HDTV!!! Remember when “high definition” included the terms “stems and seeds?” You do? You rascal.

No, this is about High Definition TELEVISION. Personally, I feel the word TELEVISON is so…. Fifties. We need a new one there. So did you jump for the Plasma? Or the LCD projector? The DLP? Have you got the home theater with all the tricked out electronics?

Don’t put your ear directly on the high tech train tracks, then, because there’s another train coming, and you’ll hear it down the line.

UHDV is in the pipeline. On the track. In the lab. In the electron wind. Want to guess? Time’s up. ULTRA HIGH DEFINITION.

Remember the movie where they invent this skull cap that would capture your emotions and immediately the bad guy looped someone having how shall we say – some very intense happy times… and turned himself into peak experience broccoli? Is that where all this is headed? Not for a while, if ever. HOWEVER: UHDV is close to the detail of 35mm film. With 7680 x 4320 pixels, this isn’t far from the 4K (4,000 scan line) digital projection systems for big-screen movie theaters.

Donald Trump will be able to see how bad his hair looks like never before.

UHDV features 33 million pixels with a 60 frame-per-second (fps) progressive scan format.

NHK, the Japanese broadcasting giant who had HDTV in the 1980s… is behind the UHDV format, but reassures us it may be a long time before home theater UHDV becomes reality. That’s corporate talk for, “Don’t let the competition know how close we really are!”

With 32 times the bandwidth demands of HDTV, UHDV would be prohibitive for today’s broadcast, cable and satellite technology. NHK’s demo required a data rate of 24 Gbps. That was a few years back in Amsterdam where some people were close to hurling lunch because the moving car video hi-jinx was that real.

How real?

NHK cobbled together a custom camera of four CCD image sensors; then to show the output built a LCoS projector combining four eight-megapixel panels. Data storage, using 16 synchronized HDTV recorders, provided roughly 18 minutes of recording time, using 3.5 terabytes of total capacity and a screen about 12 feet high and 22 feet wide. NHK researchers called this “the sensation of reality saturation point,” in the hopes of providing a completely immersive experience: 100 degrees of visual field angle, viewing from a distance of three-quarters of the height of the screen (about nine feet) with at least 60 pixels required for each one degree of visual field angle.

And speakers? UHDV offers 24-channel sound, or 22.2, containing vertically arrayed surround sound speakers: nine above ear level, 10 at ear level, three below ear level and two low-frequency subwoofer channels.

The format, according to NHK, is not so much intended for home use as for museums, public spaces and theaters. You tell The Donald.

Once upon a time there was SHOWSCAN. Special effects pioneer Douglas Trumbull had his demo unit in a suburb of Dallas, behind a Chucky Cheese, if memory serves. I saw the demo.

The equipment and the Showscan Film Process of producing and projecting Showscan films are justifiably proprietary and patented. At the time, Showscan’s discovery was hailed as the most significant advancement in film technology since the introduction of sound in the 1929 film “The Jazz Singer”. (Not the one with Neil Diamond.) However, it remained as little more than a technological curiosity until the company developed new camera, high speed projectors, and built special theaters to showcase the revolutionary Showscan images. There was a catch-22 at work. Theaters weren’t equipped for this state of the art projection so they couldn’t convince investors to make films in that format. Solution: do it all in house.

I can’t remember the specs but it was scarily real, 3-D, multi channel and way ahead of multi channel… or HDTV. I do remember it ran film through the gate much faster than normal projection speeds.

Today the company’s simulation and specialty theatres are open or under construction in 24 countries around the world, located in theme parks, motion picture multiplexes, expos, world’s fairs, resorts, shopping centers, casinos, museums, and other tourist destinations where somebody wants a rush.

If NHK can even come close, well…

Enjoy your puny HDTV now while you can, citizen.

High Definition – Formats and Camcorders

Before venturing into the world of high definition, it should be said that our UK-based clients primarily use Digital Betacam and DV Cam camcorders and we find minimal demand for HD Cam. Our American clients are using HD Cam more frequently than our British clients but Beta-SP remains the format they most commonly request.

Two High Definition Formats

To begin with, the future of high definition broadcasting is unclear. There are two HD formats being considered for transmission. One is 720p (720 horizontal lines or rows of pixels in the image) and the other is 1080i (1080 horizontal lines or rows of pixels in the image). The “p” stands for progressive scan and the “i” stands for interlaced scan but more on this later. Panasonic manufactures the camcorders that generate 720 horizontal lines and Sony manufactures the camcorders that generate 1080 horizontal lines. The European Broadcasting Union (EBU) has suggested for discussion using 720p for public service broadcasters but say that does not mean they favour 720p as the standard HD format for transmission. Trade magazines say BSkyB plans to broadcast both 720p and 1080i in a service that will begin sometime in 2006 although I was recently told 1080i may be the only format they use for transmission.

The Sony 1080-line system has one clear advantage over Panasonic’s 720-line system. Each image contains more than two million pixels (1920 vertical lines x 1080 horizontal lines) compared to 900,000 pixels (1280 vertical lines x 720 horizontal lines) in an image from a Panasonic high definition camcorder. This gives a superior picture. The advantage of the 720-line system is it takes less transmission bandwidth to broadcast.

Now to the difference between “interlaced” and “progressive” scan. These terms refer to the way television images are processed for transmission.

Interlaced Scan

Standard definition television broadcast signals are processed by television sets in an “interlaced scan” format. This means the screen first scans the odd numbered horizontal image lines, or rows of pixels, sequentially from top to bottom (1, 3, 5, etc). It then returns to the top and scans the even numbered lines (2, 4, 6, etc). In summary, the full picture from top to bottom is first made with half the information there and half of it missing. Then the missing information is filled in. In the PAL standard, each of these two processes takes 1/50th of a second so the entire process takes 1/25th of a second.

Progressive Scan

“Progressive” scan differs from interlaced scan in that the image is displayed on a screen by scanning each line (or row of pixels) in a sequential order rather than an alternate order, as is done with interlaced scan. In other words, in progressive scan, the image lines are scanned in numerical order (1,2,3) down the screen from top to bottom, instead of in an alternate order (lines or rows 1,3,5, etc… followed by lines or rows 2,4,6). By progressively scanning the image onto a screen every 25th of a second rather than “interlacing” alternate lines every 50th of a second, a smoother, more detailed, image can be produced on the screen that is perfectly suited for viewing fine details and is also less susceptible to interlace flicker.

The Sony range of camcorders offer both interlaced and progressive scan functions in a range of settings.

Procam Television and High Definition Camcorders

As a facilities company, we are moving into the HD Cam market – but cautiously. We have Sony models but have not purchased any Panasonic products. This is only in response to what our clients have requested most. Below is a summary of each model and what it offers from the lowest to the highest priced model.

Sony HVR-Z1P

This is one high definition camcorder we can recommend using immediately without exception. We purchased 15 of them in February of this year. It is an upgrade of the DSR-PD170P compact camcorder. The main reason for the unqualified recommendation is that the camera has a 16:9 chip so it shoots true wide screen images. It also delivers superior pictures.

Sony HDW-730S High Definition camcorder

The 730S is geared towards mainstream television programming rather than film or high end television drama productions. It shoots using the interlaced function only and can be switched between 50i and 59.94i. Progressive scan is not possible with the 730S. But if you don’t need to use progressive scan and you’re shooting for television, this camcorder produces excellent images and it allows you to shoot HD Cam on close to a standard definition budget.

Sony HDW-750P High Definition Camcorder

The HDW-750P offers the choice of shooting 25 frames per second in progressive scan mode (25P) to give your pictures a film look or of shooting 50 fields per second interlaced (50i) to conform to the PAL broadcasting standard. The camcorder has a 2.2 million-pixel FIT CCD, which is a step up from the IT CCD in the 730S, and Advanced Digital Signal Processing (ADSP).

Sony HDW-F900 Multi-format Cine Alta High Definition camcorder

This is the top of Sony’s high definition (1080 lines x 1920 pixels) camcorder range. The F900 offers the ability to shoot in any setting you might want. In progressive scan, it can shoot 23.98, 24, 25, 29.94 or 30 frames per second. In interlaced, it can shoot 50, 59.94 or 60Hz. This means you can shoot for any standard anywhere in the world. If you are shooting for cinema release, the F900 is the only Sony camcorder that can shoot 24P (24 frames per second film standard).

Panasonic AJ-HDC27

The Panasonic range includes the AJ-HDC27 VariCam. This is a DVCPRO HD camcorder that offers variable frame rates which can be set from 4-fps to 60-fps in single frame increments at the touch of a button. The question we have about Panasonic high definition camcorders is does going from the 625 lines offered by current PAL standard definition cameras to the 720 lines offered by Panasonic’s high definition format really merit the investment required in acquisition and post production equipment? It’s something to consider.

Thank you for reading this and please visit our web site www.procamtv.com to find out how we can meet you production kit and crewing needs.

What you should do about it:

Don’t sweat it. Just read what you can before you buy to educate yourself so you don’t make a terrible mistake. If you shop wisely, you can get a tremendous leap over what you have come to know as television. The good news is the better stuff coming down the pipe is knocking prices down on the stuff out now.

Plus, consumer surveys SCREAM to the electronics companies that people WANT these new, slim, high resolution Home Theater setups. There are billions of dollars to be made. Those surveys snapped the head of every exec in the biz. They geared up to make more. “Make more” equals “economies of scale” equals “make MORE money,” even at lower price points! The first one costs a bazillion dollars: research, tooling up, marketing. Then, with volume, the cost per unit plummets. The guys who want to have very latest get to pay the most. Why be that person?

If you’ve already purchased a particular technology – Plasma, DLP, LCD, front or rear projector, whatever, ENJOY it. It IS important to realize that wide screen aspect ratio does not equal high-definition TV, though. Some think if the picture is wide, they’re there. That might be FAR from there. I hate to say this because I’m a guy and guys hate this – you might want to read the instructions.

Secret #2. And this is really, really big: YOU CAN’T TELL WHAT THE PICTURE LOOKS LIKE FROM WHAT YOU SEE IN THE STORE.

What you should do about it:

What you are doing now. Research. The hard part is cutting through the opinions of weenies who want to see a feather clearly, blowing in the wind at 50 yards. I’ll help you there. Read on.

There are three reasons why Home Theater Ugly Secret #2 is true.

1- The sets aren’t adjusted right. They are turned way up to dazzle you. The dazzle will bother you when you get home. Worse, it drives the set to what you’d call distortion. The better picture happens when the picture is turned down in brightness, sharpness, contrast, and whatever else has been goosed. Why do they let this happen? It’s like a conspiracy that everyone is in on - except you. Because when they are all lined up, 40 sets in a row, the manufacturers know you might think theirs is different and better. But they ALL do it, so it’s a wipe. And if a store is a little bit shady, with some hi-def sets to move at a higher profit margin, well, now, those might have been “optimized” to look better than the others.

Yes, most of the hi-def sets CAN be adjusted correctly for you in your home. MAYBE by you.

Did I mention that Bubba the shopper-doofus was there, just before you browsed in, that he found the remote control and screwed up all the settings anyway?

So, you can’t trust what you see in most stores. But wait, there’s more.

2- Many of the sets are being fed video poorly. A distribution amp or humungous splitter shares the picture among the displays. That hurts the picture. A store might have 40 sets on one distribution, but the ones they really want to move on a purer source, showing a better picture. You’ll never know.

3- What you see may or may not be high definition or even good quality. Just as bad, it might be super fidelity you won’t likely ever see again. Because, what you watch at home might not be broadcast or cablecast with a good picture. So, you can see misaligned sets fed bad pictures that bear little resemblance to anything you’d see at home. Ready to drop several THOUSAND on that? Didn’t think so. But tens of thousands of people do. Probably WILL this weekend. Eager commissioned salespeople will confide that THIS unit is the superior one. No hidden agenda there, do you think, huh?!

Secret #3. THERE’S SOMETHING WRONG WITH EVERYTHING.

What you should do about it:

Relax. Don’t obsess. It’s more a matter of things being done different ways by different designers. For example, on this set, the colors are spot on, but the resolution is a little off. On that set over there, the resolution is incredible, but the red… You are still going to love the setup you buy - and remember - you just might have it for 10 years or MORE! You’ll look at it more than you look at your wife, husband or kids. I’m talking face time. Relax. We’ll get you through this.

A personal note to THE OBSESSIVES:

If you haven’t already left this article, I want you to think about the fact that there are millions of screen dots to go wrong. Not that they will, but the 317th one from the left and 119th from the bottom IS a little shaky, don’t you think? Time to take a deep breath. One, two, three. Exhale. Even though there’s something wrong with everything, if you embrace that thought and LET IT GO you’ll be able to enjoy the - uh - big picture. The state of the Home Theater art - even if it IS yesterday’s art, is very very nice.

Relax.

Why a Home Theater? And what’s it MEAN anyway? Good questions. A Home Theater is simply the natural; evolution of the TV experience. Now that we can, we do. It’s how it goes. Basically, you get a shorter, wider picture (more like a movie in a… theater) and the picture is much clearer than the TV you sat too close to as a kid – remember Mom yelling? And you can have better sound too. It can be all around you, or just in the front. You choose. You can have a box that plays the deep notes - fun things like car crashes, earthquakes, whale farts, cannons. You get to experience them like never before. It’s not essential, but it’s there if you want it.

A Home Theater is just like going to the movies. Except the screen isn’t that big, but you can get a good seat. You don’t have to endure advertisements in the ‘pre-show entertainment’ if you don’t want to. You can go to the bathroom and touch the door handle on the way out. No paying $5.75 for a bag of stale popcorn. No popcorn bagging zomboid teenagers. No lines. No sticky floors (unless that’s the way you live, not that there’s anything wrong with that.)

There. Now you know the top 3 Ugly Home Theater secrets.

But, it isn’t quite that simple. At http://www.GreatHomeTheater.com/ there are 9 more secrets revealed. I promise you won’t get neurotic or your hands dirty, and I won’t talk you out of what can be a tremendous and highly enjoyable leap forward in home entertainment.